{"id":46079,"date":"2014-10-28T08:03:56","date_gmt":"2014-10-28T06:03:56","guid":{"rendered":"http:\/\/www.gdapress.it\/it\/?p=46079"},"modified":"2014-10-28T08:03:56","modified_gmt":"2014-10-28T06:03:56","slug":"tuttii-caffe-preso-mostra-personale-francesco-vaccaro","status":"publish","type":"post","link":"https:\/\/www.gdapress.it\/it\/index.php\/46079\/arte\/tuttii-caffe-preso-mostra-personale-francesco-vaccaro.html","title":{"rendered":"Tutti\ti \u00a0caff\u00e8 che ho\t preso \u00a0senza \u00a0di\u00a0te Mostra\u00a0personale di\u00a0Francesco Vaccaro\t \u00a0"},"content":{"rendered":"

\"e79adbf8-ecce-4175-9dc4-b635dc10d24c\"<\/a><\/p>\n

La \u00a0galleria \u00a0Opere \u00a0Scelte \u00a0inaugura, \u00a0marted\u00ec \u00a028 \u00a0ottobre \u00a0alle \u00a0ore \u00a018 \u00a0in \u00a0via \u00a0Matteo \u00a0Pescatore
\n11\/D, \u00a0Tutti \u00a0i \u00a0caff\u00e8 \u00a0che \u00a0ho \u00a0preso \u00a0senza \u00a0di \u00a0te, \u00a0mostra \u00a0personale \u00a0di \u00a0Francesco \u00a0Vaccaro \u00a0curata
\nda \u00a0Olga \u00a0Gambari.
\nL\u2019esposizione, \u00a0con \u00a0i \u00a0lavori \u00a0inediti \u00a0di \u00a0Francesco \u00a0Vaccaro, \u00a0\u00e8 \u00a0una \u00a0narrazione \u00a0sensibile, \u00a0sottile \u00a0ed
\nevocativa \u00a0 della \u00a0 vita \u00a0 e \u00a0 della \u00a0 memoria. \u00a0 I \u00a0 ricordi \u00a0 sono \u00a0 rivissuti\/ripensati \u00a0 attraverso \u00a0 le
\nfotografie, \u00a0gli \u00a0appunti, \u00a0gli \u00a0scontrini \u00a0relativi \u00a0a \u00a0quel \u00a0particolare \u00a0momento \u00a0che \u00a0diventano \u00a0delle
\nsorte \u00a0di \u00a0reliquie \u00a0da \u00a0analizzare, \u00a0scrutare \u00a0e \u00a0rielaborare \u00a0per \u00a0coglierne \u00a0l\u2019essenza \u00a0pi\u00f9 \u00a0autentica.
\nSi \u00a0 tratta \u00a0 di \u00a0 una \u00a0 ricerca \u00a0 che \u00a0 fa \u00a0 emergere \u00a0 i \u00a0 dettagli \u00a0 pi\u00f9 \u00a0 marginali, \u00a0 le \u00a0 sfumature \u00a0 passate
\ninosservate \u00a0o \u00a0le \u00a0evidenze \u00a0 troppo \u00a0palesi \u00a0per \u00a0essere \u00a0colte \u00a0al \u00a0momento \u00a0e \u00a0che \u00a0nel \u00a0complesso
\nrimodellano \u00a0il \u00a0passato.
\nAd \u00a0 esempio \u00a0 nell\u2019opera \u00a0Certe \u00a0 Cose \u00a0le \u00a0 foto \u00a0 d\u2019infanzia \u00a0 sono \u00a0 state \u00a0 esaminate, \u00a0 con \u00a0 morbosa
\nattenzione \u00a0e \u00a0 poetica \u00a0 devozione, \u00a0e \u00a0 poi \u00a0 scomposte \u00a0mettendo \u00a0in \u00a0luce \u00a0i \u00a0 diversi \u00a0 punti \u00a0 di \u00a0vista
\novvero \u00a0 mondi \u00a0 paralleli \u00a0 che \u00a0 a \u00a0 volte \u00a0 pur \u00a0 vicinissimi \u00a0 non \u00a0 si \u00a0 incontrano. \u00a0 Ogni \u00a0 personaggio
\ndiventa \u00a0soggetto \u00a0protagonista \u00a0con \u00a0un \u00a0profilo \u00a0emotivo-\u00ad\u2010introspettivo \u00a0evidentemente \u00a0unico \u00a0e
\ncaratteristico. \u00a0 Il \u00a0 lavoro \u00a0 in \u00a0 mostra \u00a0 parte \u00a0 da \u00a0 quello \u00a0 realizzato \u00a0 nel \u00a0 2006 \u00a0 e \u00a0 presentato
\nnell’ambito \u00a0 del \u00a0 Fotografia \u00a0 festival \u00a0 internazionale \u00a0 di \u00a0 Roma, \u00a0 ripensato \u00a0 e \u00a0 adattato \u00a0 per \u00a0 la
\ngalleria \u00a0Opere \u00a0Scelte.
\nLe \u00a0storie \u00a0sono \u00a0anche \u00a0vissute \u00a0come \u00a0attesa \u00a0e \u00a0proiezione \u00a0senza \u00a0tempo \u00a0e \u00a0nell\u2019opera \u00a0Tutti \u00a0i \u00a0caff\u00e8
\nche \u00a0 ho \u00a0 preso \u00a0 senza \u00a0 di \u00a0 te \u00a0 Vaccaro \u00a0 congela \u00a0 la \u00a0 quotidianit\u00e0, \u00a0 fatta \u00a0 anche \u00a0 di \u00a0 reiterazioni
\nmeccaniche \u00a0 come \u00a0 bere \u00a0 un \u00a0 caff\u00e8, \u00a0 attraverso \u00a0 gli \u00a0 scontrini \u00a0 che \u00a0 conserva \u00a0 ogni \u00a0 volta
\nGalleria \u00a0Opere \u00a0Scelte \u00a0via \u00a0Matteo \u00a0Pescatore \u00a011\/d, \u00a010124 \u00a0Torino \u00a0\/ \u00a0T. \u00a0011 \u00a05823026 \u00a0-\u00ad\u2010 M. \u00a03493509087
\ninfo@operescelte.com \u00a0\/ \u00a0www.operescelte.com \u00a0\/ \u00a0marted\u00ec-\u00ad\u2010sabato \u00a015.30-\u00ad\u201020
\npremurosamente \u00a0e \u00a0le \u00a0arricchisce \u00a0poi \u00a0di \u00a0pensieri, \u00a0visioni \u00a0e \u00a0suoni. \u00a0Proprio \u00a0come \u00a0i \u00a0ricordi, \u00a0gli
\nscontrini \u00a0sbiadiscono \u00a0col \u00a0tempo, \u00a0ma \u00a0l\u2019artista \u00a0non \u00a0lo \u00a0permette: \u00a0imprime \u00a0gli \u00a0scontrini \u00a0in \u00a0modo
\nindelebile \u00a0 nella \u00a0 materia, \u00a0 cattura \u00a0 le \u00a0 immagini \u00a0 e \u00a0 le \u00a0 parole \u00a0 riproponendole \u00a0 allo \u00a0 spettatore
\ncome \u00a0 una \u00a0 coinvolgente \u00a0 concatenazione \u00a0 di \u00a0 frammenti \u00a0 di \u00a0 vita \u00a0 che \u00a0 aspettano \u00a0 di \u00a0 essere
\nrivissuti \u00a0da \u00a0qualcun \u00a0altro.
\nIn \u00a0mostra \u00a0fino \u00a0al \u00a06 \u00a0dicembre<\/p>\n

Francesco \u00a0Vaccaro \u00a0nato \u00a0a \u00a0Crotone \u00a0nel \u00a01968, \u00a0vive \u00a0e \u00a0lavora \u00a0a \u00a0Roma.
\nUtilizza \u00a0video, \u00a0pittura \u00a0e \u00a0fotografia. \u00a0Ha \u00a0esposto \u00a0in \u00a0gallerie \u00a0private \u00a0e \u00a0spazi \u00a0pubblici, \u00a0in \u00a0Italia \u00a0e
\nall’estero. \u00a0Nel \u00a0 2013 \u00a0ha \u00a0presentato \u00a0l\u2019installazione \u00a0\u201cdalla \u00a0 finestra \u00a0 ti \u00a0vedo\u201d \u00a0presso \u00a0la \u00a0Galleria
\nd\u2019Arte \u00a0 Moderna \u00a0 di \u00a0 Roma. \u00a0 I \u00a0 suoi \u00a0 video \u00a0 sono \u00a0 stati \u00a0 presentati \u00a0 in \u00a0 numerosi \u00a0 festival
\ninternazionali. \u00a0 Il \u00a0 video \u00a0 \u201cLettera \u00a0 d\u2019amore \u00a0 a \u00a0 Robert \u00a0 Mitchum\u201d \u00a0 con \u00a0 Piera \u00a0 Degli \u00a0 Esposti,
\npresentato \u00a0 alla \u00a0 Festa \u00a0 del \u00a0 Cinema \u00a0 di \u00a0 Roma \u00a0 2007, \u00a0 \u00e8 \u00a0 stato \u00a0 distribuito \u00a0 nelle \u00a0 sale \u00a0 italiane \u00a0 da
\nLucky \u00a0Red. \u00a0Il \u00a0video \u00a0\u201cla \u00a0pitta\u201d \u00a0presentato \u00a0al \u00a0Macro \u00a0Testaccio \u00a0di \u00a0Roma \u00a0nell\u2019ambito \u00a0di \u00a0Festarte
\n2010 \u00a0 ha \u00a0 ricevuto \u00a0 il \u00a0 premio \u00a0 del \u00a0 pubblico. \u00a0 Sempre \u00a0 nel \u00a0 2010, \u00a0 il \u00a0 Filmstudio \u00a0 di \u00a0 Roma \u00a0 ha
\npresentato \u00a0una \u00a0rassegna \u00a0monografica \u00a0dei \u00a0suoi \u00a0video.<\/p>\n

 <\/p>\n

Galleria Opere Scelte<\/strong>\u00a0via Matteo Pescatore 11\/d, 10124 Torino<\/span>
T. 011 5823026 – M. 349 3509087 \/\u00a0<\/span>www.operescelte.com<\/a>\u00a0\/ info@operescelte.com<\/span>
marted\u00ec-sabato 15.30-20<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

La \u00a0galleria \u00a0Opere \u00a0Scelte \u00a0inaugura, \u00a0marted\u00ec \u00a028 \u00a0ottobre \u00a0alle \u00a0ore \u00a018 \u00a0in \u00a0via \u00a0Matteo \u00a0Pescatore 11\/D, \u00a0Tutti \u00a0i \u00a0caff\u00e8 \u00a0che \u00a0ho \u00a0preso \u00a0senza \u00a0di \u00a0te, \u00a0mostra \u00a0personale \u00a0di \u00a0Francesco \u00a0Vaccaro \u00a0curata da \u00a0Olga \u00a0Gambari. L\u2019esposizione, \u00a0con \u00a0i \u00a0lavori \u00a0inediti \u00a0di \u00a0Francesco \u00a0Vaccaro, \u00a0\u00e8 \u00a0una \u00a0narrazione \u00a0sensibile, \u00a0sottile \u00a0ed evocativa \u00a0 della \u00a0 vita \u00a0 e … Read more Tutti\ti \u00a0caff\u00e8 che ho\t preso \u00a0senza \u00a0di\u00a0te Mostra\u00a0personale di\u00a0Francesco Vaccaro\t \u00a0<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[13847,29,13846],"class_list":["post-46079","post","type-post","status-publish","format-standard","hentry","category-arte","tag-opere-scelte","tag-torino","tag-vaccaro"],"_links":{"self":[{"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/posts\/46079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/comments?post=46079"}],"version-history":[{"count":1,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/posts\/46079\/revisions"}],"predecessor-version":[{"id":46081,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/posts\/46079\/revisions\/46081"}],"wp:attachment":[{"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/media?parent=46079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/categories?post=46079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/tags?post=46079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}