
{"id":46005,"date":"2014-09-27T10:23:15","date_gmt":"2014-09-27T08:23:15","guid":{"rendered":"http:\/\/www.gdapress.it\/it\/?p=46005"},"modified":"2014-10-27T10:24:45","modified_gmt":"2014-10-27T08:24:45","slug":"artissima-gallerie-delledizione-2014","status":"publish","type":"post","link":"https:\/\/www.gdapress.it\/it\/index.php\/46005\/arte\/artissima-gallerie-delledizione-2014.html","title":{"rendered":"ARTISSIMA | Le Gallerie dell&#8217;edizione 2014"},"content":{"rendered":"<div style=\"color: #444444;\">\n<div><b style=\"font-weight: bold;\">ARTISSIMA 2014<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dub127.mail.live.com\/Handlers\/ImageProxy.mvc?bicild=&amp;canary=T4BvdHst8sGILi3Uz7Bd8b5WSEstcxAujmmmLHjOcyg%3d0&amp;url=http%3a%2f%2fimg2.ymlp286.net%2ftubm_artissima_1.jpg\" alt=\"\" width=\"375\" height=\"214\" align=\"right\" \/><\/b><\/div>\n<div align=\"center\"><\/div>\n<div><b style=\"font-weight: bold;\">Oval, Lingotto Fiere Torino<\/b><\/div>\n<div><b style=\"font-weight: bold;\">\u00a0<\/b><\/div>\n<div><b style=\"font-weight: bold;\">6 novembre 2014<\/b><\/div>\n<div><b style=\"font-weight: bold;\">Presentazione alla stampa, preview, vernissage<\/b><\/div>\n<div><b style=\"font-weight: bold;\">\u00a0<\/b><\/div>\n<div><b style=\"font-weight: bold;\">7-8-9 novembre 2014<\/b><\/div>\n<div><b style=\"font-weight: bold;\">Apertura al pubblico<\/b><\/div>\n<div><\/div>\n<div><\/div>\n<div><span style=\"color: #888888;\">\u00a0<\/span><\/div>\n<div><span style=\"color: #888888;\"><b style=\"font-weight: bold;\">Le Gallerie dell\u2019edizione 2014<\/b><\/span><\/div>\n<div><\/div>\n<div><\/div>\n<div>Artissima presenta l\u2019elenco completo delle gallerie che\u00a0<b style=\"font-weight: bold;\">da venerd\u00ec 7 a domenica 9 novembre 2014<\/b>\u00a0animeranno la ventunesima edizione della Fiera Internazionale d\u2019Arte Contemporanea a Torino, diretta per la terza volta da Sarah Cosulich Canarutto.<\/div>\n<div><\/div>\n<div>La grande novit\u00e0 dell\u2019edizione 2014 \u00e8 la nascita di\u00a0<b style=\"font-weight: bold;\">Per4m<\/b>, nuova spettacolare sezione interamente dedicata alle performance che si aggiunge alle tradizionali cinque che articolano la presenza delle gallerie in Fiera: Per4m completa la proposta di Artissima con una soluzione che imprime al carattere da sempre fortemente sperimentale della Fiera uno slancio ulteriore nel duplice segno della ricerca e del superamento dei percorsi tracciati ma anche della solidit\u00e0 dell\u2019offerta sul fronte qualitativo. Con l\u2019introduzione di Per4m, diventano 3 le sezioni \u201ccurate\u201d di Artissima, ovvero che propongono stand monografici con allestimenti di qualit\u00e0 museale. Si tratta di presentazioni in cui artisti, gallerie e opere sono valutate e selezionate da curatori e direttori di musei tra i maggiori protagonisti della scena internazionale. La loro partecipazione e coinvolgimento porta alla manifestazione un contributo di apertura \u2013 geografica, di ricerca e intellettuale \u2013 assicurando al pubblico di Artissima una proposta\u00a0<i style=\"font-style: italic;\">cutting edge<\/i>\u00a0e di qualit\u00e0.<\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\">Artissima 2014<\/b>\u00a0ospiter\u00e0 nelle\u00a0<b style=\"font-weight: bold;\">6 sezioni<\/b>\u00a0un totale di\u00a0<b style=\"font-weight: bold;\">196 gallerie<\/b>\u00a0(139 straniere e 57 italiane), tra i nomi pi\u00f9 attuali e di maggior interesse del mercato internazionale dell\u2019arte e provenienti da 34 diversi paesi.<\/div>\n<div><\/div>\n<div>Le\u00a0<b style=\"font-weight: bold;\">3 sezioni<\/b>\u00a0della Fiera che presenteranno progetti e opere di artisti a discrezione delle Gallerie scelte dal Comitato di Selezione sono:<\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\">Main Section:<\/b>\u00a0raccoglie le gallerie pi\u00f9 rappresentative del panorama artistico mondiale. Quest\u2019anno sono state selezionate<b style=\"font-weight: bold;\">124<\/b>\u00a0(42 italiane, 82 straniere) provenienti da\u00a0<b style=\"font-weight: bold;\">27 paesi<\/b>\u00a0(Arabia Saudita, Austria, Belgio, Brasile, Cina, Finlandia, Francia, Germania, Giappone, Grecia, Irlanda, Israele, Inghilterra, Italia, Olanda, Polonia, Portogallo, Repubblica Ceca, Repubblica di Singapore, Romania, Slovenia, Spagna, Stati Uniti, Svezia, Svizzera, Sudafrica, Ungheria).<\/div>\n<div><b style=\"font-weight: bold;\">\u00a0<\/b><\/div>\n<div><b style=\"font-weight: bold;\">New Entries<\/b>: riservata alle pi\u00f9 interessanti giovani gallerie, con meno di cinque anni di attivit\u00e0 e presenti per la prima volta ad Artissima. La sezione ospita\u00a0<b style=\"font-weight: bold;\">19 gallerie<\/b>\u00a0(3 italiane, 16 straniere) provenienti da\u00a0<b style=\"font-weight: bold;\">11 paesi<\/b>\u00a0(Argentina, Colombia, Danimarca, Francia, Germania, Grecia, Inghilterra, Italia, Messico, Repubblica Ceca, Romania).<\/div>\n<div>Una giuria internazionale assegner\u00e0 durante la fiera il\u00a0<i style=\"font-style: italic;\">premio Guido Carbone<\/i>\u00a0alla galleria della sezione\u00a0<i style=\"font-style: italic;\">New Entries<\/i>\u00a0ritenuta pi\u00f9 meritevole per il lavoro di ricerca e promozione di giovani artisti e per la presentazione progettuale dello spazio ad Artissima.<\/div>\n<div><b style=\"font-weight: bold;\">Art Editions<\/b>: inaugurata nel 2012, ospiter\u00e0 edizioni, stampe e multipli di artisti contemporanei di\u00a0<b style=\"font-weight: bold;\">6 gallerie e altri spazi<\/b>\u00a0(5 italiane, 1 straniera).<\/div>\n<div><\/div>\n<div>Le\u00a0<b style=\"font-weight: bold;\">3 sezioni curate<\/b>\u00a0che presenteranno monografiche di artisti selezionati e proposti da importanti direttori di museo e curatori internazionali sono:<\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\">Present Future<\/b>: dedicata ai talenti emergenti invitati da un team di giovani curatori e presentati dalle loro gallerie di riferimento con spazi monografici collocati in un percorso espositivo appositamente studiato in un\u2019area centrale della Fiera. Quest\u2019anno i progetti di\u00a0<b style=\"font-weight: bold;\">20 artisti<\/b>\u00a0saranno presentati da\u00a0<b style=\"font-weight: bold;\">21 gallerie<\/b>\u00a0(3 italiane, 18 straniere) provenienti da\u00a0<b style=\"font-weight: bold;\">15 paesi<\/b>\u00a0(Cina, Danimarca, Francia, Germania, Inghilterra, Italia, Messico, Norvegia, Olanda, Porto Rico, Portogallo, Romania, Spagna, Stati Uniti, Thailandia).<\/div>\n<div>La sezione \u00e8 realizzata per il quattordicesimo anno in collaborazione con illycaff\u00e8 che mette a disposizione il premio\u00a0<i style=\"font-style: italic;\">illy Present Future<\/i>\u00a0assegnato all\u2019artista considerato pi\u00f9 interessante da una giuria composta da prestigiosi curatori internazionali. Il Premio offre all\u2019artista vincitore l\u2019opportunit\u00e0 di una mostra negli spazi del Castello di Rivoli da inaugurarsi in concomitanza con la successiva edizione di Artissima.<\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\">Back to the Future<\/b>: presenta in un contesto dedicato alle sperimentazioni pi\u00f9 nuove del contemporaneo alcuni grandi innovatori del linguaggio dell\u2019arte contemporanea che non hanno sempre ricevuto la giusta visibilit\u00e0 rispetto alla rilevanza del loro lavoro e all\u2019influenza sulle generazioni successive.\u00a0<i style=\"font-style: italic;\">Back to the Future<\/i>\u00a0presenta mostre personali di livello museale con opere storiche di artisti degli anni \u201960, \u201970 e \u201980, direttamente proposti e selezionati da un Comitato curatoriale. Quest\u2019anno sono stati selezionati e partecipano alla sezione\u00a0<b style=\"font-weight: bold;\">25 artisti<\/b>\u00a0rappresentati da\u00a0<b style=\"font-weight: bold;\">26 gallerie<\/b>\u00a0(4 italiane, 22 straniere) provenienti da\u00a0<b style=\"font-weight: bold;\">13 paesi<\/b>\u00a0(Austria, Belgio, Brasile, Francia, Germania, Giappone, Italia, Inghilterra, Polonia, Spagna, Slovenia, Stati Uniti, Ungheria). Durante Artissima, una giuria internazionale assegner\u00e0 il nuovo\u00a0<i style=\"font-style: italic;\">Premio Sardi per l&#8217;Arte Back to the Future<\/i>, nato dalla nuova partnership con la Fondazione Sardi per l&#8217;Arte alla galleria con il progetto pi\u00f9 meritevole in termini di rilevanza storica dell&#8217;artista e di presentazione dello stand.<\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\">Per4m<\/b>: dedicata esclusivamente alla performance, la nuova sezione di Artissima nasce come un progetto fortemente innovativo sia per la modalit\u00e0 di presentazione che per l\u2019approccio con il quale la performance viene affrontata in contesto fieristico. Nei quattro giorni di Fiera saranno presentati i lavori di\u00a0<b style=\"font-weight: bold;\">16 artisti,<\/b>\u00a0rappresentati da\u00a0<b style=\"font-weight: bold;\">16 gallerie<\/b>\u00a0(7 italiane, 9 straniere) provenienti da\u00a0<b style=\"font-weight: bold;\">8 paesi<\/b>\u00a0(Austria, Brasile, Francia, Germania, Inghilterra, Italia, Stati Uniti, Svizzera).<\/div>\n<div>Per4m inaugura accompagnata da un nuovo importante premio, il\u00a0<i style=\"font-style: italic;\">Prix K-Way Per4m<\/i>\u00a0destinato al lavoro performativo pi\u00f9 rilevante e significativo tra quelli presentati ad Artissima nei giorni di Fiera. Il premio verr\u00e0 assegnato da una giuria di esperti internazionali e rappresenta un segnale dell\u2019importanza che la sezione acquisisce sin dalla sua prima edizione, anche grazie all\u2019attenzione del partner K-Way per questa forma di sperimentazione.<\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\">\u00a0<\/b><\/div>\n<div><b style=\"font-weight: bold;\"><span style=\"color: #800000;\">MAIN SECTION<\/span><\/b><\/div>\n<div><b style=\"font-weight: bold;\">401CONTEMPORARY<\/b>, Berlin;\u00a0<b style=\"font-weight: bold;\">A GENTIL CARIOCA<\/b>, Rio de Janeiro;\u00a0<b style=\"font-weight: bold;\">SAMY ABRAHAM<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">AIKE-DELL\u2019ARCO<\/b>, Shanghai;\u00a0<b style=\"font-weight: bold;\">AIR DE PARIS<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">SABRINA AMRANI<\/b>, Madrid;\u00a0<b style=\"font-weight: bold;\">ANALIX FOREVER<\/b>, Geneva;\u00a0<b style=\"font-weight: bold;\">ANNEX 14<\/b>, Zurich;<b style=\"font-weight: bold;\">APALAZZO<\/b>, Brescia;\u00a0<b style=\"font-weight: bold;\">ARTERICAMBI<\/b>, Verona;\u00a0<b style=\"font-weight: bold;\">ALFONSO ARTIACO<\/b>, Napoli;\u00a0<b style=\"font-weight: bold;\">ASPN<\/b>, Leipzig;\u00a0<b style=\"font-weight: bold;\">ENRICO ASTUNI<\/b>, Bologna;<b style=\"font-weight: bold;\">ATHR<\/b>, Jeddah;\u00a0<b style=\"font-weight: bold;\">BALICE HERTLING<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">ANNE BARRAULT<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">HANNAH BARRY<\/b>, London;\u00a0<b style=\"font-weight: bold;\">BELENIUS-NORDENHAKE<\/b>, Stockholm;\u00a0<b style=\"font-weight: bold;\">BENDANA | PINEL<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">BERNIER \/ ELIADES<\/b>, Athens;\u00a0<b style=\"font-weight: bold;\">ISABELLA BORTOLOZZI<\/b>, Berlin;<b style=\"font-weight: bold;\">THOMAS BRAMBILLA<\/b>, Bergamo;\u00a0<b style=\"font-weight: bold;\">BRAND NEW GALLERY<\/b>, Milano;\u00a0<b style=\"font-weight: bold;\">BRAVERMAN<\/b>, Tel Aviv;\u00a0<b style=\"font-weight: bold;\">BUGADA &amp; CARGNEL<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">BWA<\/b>\u00a0<b style=\"font-weight: bold;\">WARSZAWA<\/b>, Warsaw;\u00a0<b style=\"font-weight: bold;\">CASADO SANTAPAU<\/b>, Madrid;\u00a0<b style=\"font-weight: bold;\">PEDRO CERA<\/b>, Lisbon;\u00a0<b style=\"font-weight: bold;\">CHARIM<\/b>, Vienna;\u00a0<b style=\"font-weight: bold;\">CHERT<\/b>, Berlin;\u00a0<b style=\"font-weight: bold;\">CHRISTINGER DE MAYO<\/b>, Zurich;\u00a0<b style=\"font-weight: bold;\">CO2<\/b>, Torino;\u00a0<b style=\"font-weight: bold;\">HEZI COHEN<\/b>, Tel Aviv;\u00a0<b style=\"font-weight: bold;\">ANTONIO COLOMBO<\/b>, Milano;<b style=\"font-weight: bold;\">CONTINUA<\/b>, San Gimignano, Beijing, Le Moulin;\u00a0<b style=\"font-weight: bold;\">VERA CORT\u00caS<\/b>, Lisbon;\u00a0<b style=\"font-weight: bold;\">RAFFAELLA CORTESE<\/b>, Milano;\u00a0<b style=\"font-weight: bold;\">GUIDO COSTA PROJECTS<\/b>, Torino;\u00a0<b style=\"font-weight: bold;\">MONICA DE CARDENAS<\/b>, Milano, Zuoz;\u00a0<b style=\"font-weight: bold;\">DE\u2019 FOSCHERARI<\/b>, Bologna;\u00a0<b style=\"font-weight: bold;\">UMBERTO DI MARINO<\/b>, Napoli;\u00a0<b style=\"font-weight: bold;\">EXIT<\/b>, Hong Kong;\u00a0<b style=\"font-weight: bold;\">FAGGIONATO<\/b>, London;\u00a0<b style=\"font-weight: bold;\">FIGGE VON ROSEN<\/b>, Cologne;\u00a0<b style=\"font-weight: bold;\">MARIE LAURE<\/b>\u00a0<b style=\"font-weight: bold;\">FLEISCH<\/b>, Roma;\u00a0<b style=\"font-weight: bold;\">FRUTTA<\/b>, Roma;\u00a0<b style=\"font-weight: bold;\">FURINI<\/b>, Arezzo;\u00a0<b style=\"font-weight: bold;\">GREEN ON RED<\/b>, Dublin;\u00a0<b style=\"font-weight: bold;\">GIACOMO GUIDI<\/b>, Roma, Milano;\u00a0<b style=\"font-weight: bold;\">ANDREAS HUBER<\/b>, Vienna;\u00a0<b style=\"font-weight: bold;\">HUNT KASTNER<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">IBID<\/b>., London;\u00a0<b style=\"font-weight: bold;\">IN ARCO<\/b>, Torino;\u00a0<b style=\"font-weight: bold;\">ANTONIA JANNONE<\/b>, Milano;<b style=\"font-weight: bold;\">JEANROCHDARD<\/b>, Paris, Brussels;\u00a0<b style=\"font-weight: bold;\">KALFAYAN<\/b>, Athens, Thessaloniki;\u00a0<b style=\"font-weight: bold;\">PETER KILCHMANN<\/b>, Zurich;\u00a0<b style=\"font-weight: bold;\">CHRISTINE K\u00d6NIG<\/b>, Vienna;\u00a0<b style=\"font-weight: bold;\">ELENI<\/b>\u00a0<b style=\"font-weight: bold;\">KORONEOU<\/b>, Athens;\u00a0<b style=\"font-weight: bold;\">KOW<\/b>, Berlin;\u00a0<b style=\"font-weight: bold;\">TOMIO KOYAMA<\/b>, Tokyo, Singapore;\u00a0<b style=\"font-weight: bold;\">KROME<\/b>, Berlin;\u00a0<b style=\"font-weight: bold;\">LE GUERN<\/b>, Warsaw;\u00a0<b style=\"font-weight: bold;\">LATTUADA<\/b>, Milano, Tenafly, New York, Lugano;\u00a0<b style=\"font-weight: bold;\">EMANUEL LAYR<\/b>, Vienna;\u00a0<b style=\"font-weight: bold;\">ANTOINE LEVI<\/b>, Paris;<b style=\"font-weight: bold;\">JOSH<\/b>\u00a0<b style=\"font-weight: bold;\">LILLEY<\/b>, London;\u00a0<b style=\"font-weight: bold;\">MAGAZZINO<\/b>, Roma;\u00a0<b style=\"font-weight: bold;\">NORMA MANGIONE<\/b>, Torino;\u00a0<b style=\"font-weight: bold;\">MARIO MAZZOLI<\/b>, Berlin;\u00a0<b style=\"font-weight: bold;\">MENDES WOOD<\/b>, S\u00e3o Paulo;\u00a0<b style=\"font-weight: bold;\">FRANCESCA<\/b>\u00a0<b style=\"font-weight: bold;\">MININI<\/b>, Milano;\u00a0<b style=\"font-weight: bold;\">MASSIMO MININI<\/b>, Brescia;\u00a0<b style=\"font-weight: bold;\">ANI MOLN\u00c1R<\/b>, Budapest;\u00a0<b style=\"font-weight: bold;\">MONITOR<\/b>, Roma;<b style=\"font-weight: bold;\">MOR.CHARPENTIER<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">MOTINTERNATIONAL<\/b>, London, Brussels;\u00a0<b style=\"font-weight: bold;\">MUR\u00cdAS CENTENO<\/b>, Porto;\u00a0<b style=\"font-weight: bold;\">FRANCO NOERO<\/b>, Torino;\u00a0<b style=\"font-weight: bold;\">LORCAN O\u2019 NEILL<\/b>, Roma;\u00a0<b style=\"font-weight: bold;\">P420<\/b>, Bologna;\u00a0<b style=\"font-weight: bold;\">ALBERTA PANE<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">ALBERTO PEOLA<\/b>, Torino;\u00a0<b style=\"font-weight: bold;\">PERES PROJECTS<\/b>, Berlin;\u00a0<b style=\"font-weight: bold;\">GIORGIO PERSANO<\/b>, Torino;\u00a0<b style=\"font-weight: bold;\">PHOTO&amp;CONTEMPORARY<\/b>, Torino;\u00a0<b style=\"font-weight: bold;\">FRANCESCA PIA<\/b>, Zurich;<b style=\"font-weight: bold;\">PINKSUMMER<\/b>, Genova;\u00a0<b style=\"font-weight: bold;\">PM8<\/b>, Vigo;\u00a0<b style=\"font-weight: bold;\">PODBIELSKY<\/b>, Berlin;\u00a0<b style=\"font-weight: bold;\">GREGOR PODNAR<\/b>, Berlin, Ljubljana;\u00a0<b style=\"font-weight: bold;\">POLANSKY<\/b>, Prague;<b style=\"font-weight: bold;\">PRODUZENTENGALERIE HAMBURG<\/b>, Hamburg;\u00a0<b style=\"font-weight: bold;\">PROFILE<\/b>, Warsaw;\u00a0<b style=\"font-weight: bold;\">PROJECTESD<\/b>, Barcelona;<b style=\"font-weight: bold;\">PROMETEOGALLERY<\/b>, Milano, Lucca;\u00a0<b style=\"font-weight: bold;\">QUADRADO AZUL<\/b>, Porto;\u00a0<b style=\"font-weight: bold;\">ROTWAND<\/b>, Zurich;\u00a0<b style=\"font-weight: bold;\">LIA RUMMA<\/b>, Milano, Napoli;<b style=\"font-weight: bold;\">SABOT<\/b>, Cluj-Napoca;\u00a0<b style=\"font-weight: bold;\">MARION SCHARMANN<\/b>, Cologne;\u00a0<b style=\"font-weight: bold;\">SCHLEICHER\/LANGE<\/b>, Berlin;\u00a0<b style=\"font-weight: bold;\">SIDE 2<\/b>, Tokyo;\u00a0<b style=\"font-weight: bold;\">SMAC<\/b>, Stellenbosch, Western Cape;\u00a0<b style=\"font-weight: bold;\">SPAZIOA<\/b>, Pistoia;\u00a0<b style=\"font-weight: bold;\">SPROVIERI<\/b>, London;\u00a0<b style=\"font-weight: bold;\">SULTANA<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">TAIK PERSONS<\/b>, Helsinki;<b style=\"font-weight: bold;\">JOSEPH TANG<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">THE<\/b>\u00a0<b style=\"font-weight: bold;\">BREEDER<\/b>, Athens;\u00a0<b style=\"font-weight: bold;\">THE GALLERY APART<\/b>, Roma;\u00a0<b style=\"font-weight: bold;\">ELISABETH &amp; KLAUS THOMAN<\/b>, Innsbruck;\u00a0<b style=\"font-weight: bold;\">CATERINA TOGNON<\/b>, Venezia;\u00a0<b style=\"font-weight: bold;\">TORRI<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">TUCCI RUSSO<\/b>, Torre Pellice;\u00a0<b style=\"font-weight: bold;\">UPP<\/b>, Venezia;\u00a0<b style=\"font-weight: bold;\">PAOLA VERRENGIA<\/b>, Salerno;\u00a0<b style=\"font-weight: bold;\">VILTIN<\/b>, Budapest;\u00a0<b style=\"font-weight: bold;\">VISTAMARE<\/b>, Pescara;\u00a0<b style=\"font-weight: bold;\">WENTRUP<\/b>, Berlin;\u00a0<b style=\"font-weight: bold;\">WILKINSON<\/b>, London;\u00a0<b style=\"font-weight: bold;\">JOCELYN WOLFF<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">ZAK | BRANICKA<\/b>, Berlin;\u00a0<b style=\"font-weight: bold;\">MARTIN VAN ZOMEREN<\/b>, Amsterdam<\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\"><span style=\"color: #800000;\">NEW ENTRIES<\/span><\/b><\/div>\n<div><b style=\"font-weight: bold;\">22,48 M<\/b><b style=\"font-weight: bold;\">\u00b2<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">BARIL<\/b>, Cluj-Napoca;\u00a0<b style=\"font-weight: bold;\">ROD BARTON<\/b>, London;\u00a0<b style=\"font-weight: bold;\">CAN CHRISTINA ANDROULIDAKI<\/b>, Athens;\u00a0<b style=\"font-weight: bold;\">CAR DRDE<\/b>, Bologna;\u00a0<b style=\"font-weight: bold;\">COPPERFIELD<\/b>, London;\u00a0<b style=\"font-weight: bold;\">DOCUMENT-ART<\/b>, Buenos Aires;\u00a0<b style=\"font-weight: bold;\">ELIKA<\/b>, Athens;\u00a0<b style=\"font-weight: bold;\">EX ELETTROFONICA<\/b>, Roma;<b style=\"font-weight: bold;\">EMMANUEL HERV\u00c9<\/b>, Paris;\u00a0<b style=\"font-weight: bold;\">INSTITUTO<\/b>\u00a0<b style=\"font-weight: bold;\">DE VISI\u00d3N<\/b>, Bogot\u00e0;\u00a0<b style=\"font-weight: bold;\">LAST RESORT<\/b>, Copenhagen;\u00a0<b style=\"font-weight: bold;\">MARCELLE ALIX<\/b>, Paris;<b style=\"font-weight: bold;\">MARSO<\/b>, Mexico City;\u00a0<b style=\"font-weight: bold;\">MASSIMODELUCA<\/b>, Mestre-Venezia;\u00a0<b style=\"font-weight: bold;\">NEUMEISTER<\/b>\u00a0<b style=\"font-weight: bold;\">BAR-AM<\/b>, Berlin;\u00a0<b style=\"font-weight: bold;\">ANCA POTERASU<\/b>, Bucharest;\u00a0<b style=\"font-weight: bold;\">SVIT<\/b>, Prague;\u00a0<b style=\"font-weight: bold;\">VITRINE<\/b>, London<\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\"><span style=\"color: #800000;\">PRESENT FUTURE<\/span><\/b><\/div>\n<div><i style=\"font-style: italic;\">APPARATUS 22<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">KILOBASE BUCHAREST<\/b>, Bucharest;<\/div>\n<div><i style=\"font-style: italic;\">ROBIN CAMERON<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">ROOM EAST<\/b>, New York;<\/div>\n<div><i style=\"font-style: italic;\">JUAN CAPISTRAN<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">CURRO Y<\/b>\u00a0<b style=\"font-weight: bold;\">PONCHO<\/b>, Guadalajara;<\/div>\n<div><i style=\"font-style: italic;\">JEREMIAH DAY<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">ARCADE<\/b>, London \/\u00a0<b style=\"font-weight: bold;\">ELLEN DE BRUIJNE<\/b>, Amsterdam;<\/div>\n<div><i style=\"font-style: italic;\">ALEX DA CORTE<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">JOE SHEFTEL<\/b>,New York;<\/div>\n<div><i style=\"font-style: italic;\">ROCHELLE GOLDBERG<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">FEDERICO VAVASSORI<\/b>, Milano;<\/div>\n<div><i style=\"font-style: italic;\">AN HE<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">TANG<\/b>, Bangkok, Beijing, Hong Kong;<\/div>\n<div><i style=\"font-style: italic;\">ANNE IMHOF<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">DEBORAH<\/b>\u00a0<b style=\"font-weight: bold;\">SCHAMONI<\/b>, Munich;<\/div>\n<div><i style=\"font-style: italic;\">TORIL JOHANNESSEN<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">OSL<\/b>, Oslo;<\/div>\n<div><i style=\"font-style: italic;\">DAWN KASPER<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">DAVID<\/b>\u00a0<b style=\"font-weight: bold;\">LEWIS<\/b>, New York;<\/div>\n<div><i style=\"font-style: italic;\">CANDICE LIN<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">QUADRADO AZUL<\/b>, Porto;<\/div>\n<div><i style=\"font-style: italic;\">ADRIAN MELIS<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">ADN<\/b>, Barcelona;<\/div>\n<div><i style=\"font-style: italic;\">URIEL ORLOW<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">LA VERONICA<\/b>, Modica;<\/div>\n<div><i style=\"font-style: italic;\">KARTHIK PANDIAN<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">FEDERICA SCHIAVO<\/b>, Roma;<\/div>\n<div><i style=\"font-style: italic;\">RACHEL ROSE<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">HIGH ART<\/b>, Paris;<\/div>\n<div><i style=\"font-style: italic;\">HARRY SANDERSON<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">ARCADIA MISSA<\/b>, London;<\/div>\n<div><i style=\"font-style: italic;\">BEATRIZ SANTIAGO MU\u00d1OZ<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">AGUSTINA<\/b>\u00a0<b style=\"font-weight: bold;\">FERREYRA<\/b>, San Juan;<\/div>\n<div><i style=\"font-style: italic;\">JORGE SATORRE<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">LABOR<\/b>, Mexico City;<\/div>\n<div><i style=\"font-style: italic;\">LIU SHIYUAN<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">ANDERSEN\u2019S<\/b>, Copenhagen;<\/div>\n<div><i style=\"font-style: italic;\">XINGUANG YANG<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">BOERS-LI<\/b>, Beijing<\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\"><span style=\"color: #800000;\">BACK TO THE FUTURE<\/span><\/b><\/div>\n<div><i style=\"font-style: italic;\">LUTZ BACHER<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">DANIEL BUCHHOLZ<\/b>, Cologne;<\/div>\n<div><i style=\"font-style: italic;\">IMRE BAK<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">ACB<\/b>, Budapest \/\u00a0<b style=\"font-weight: bold;\">ERIKA<\/b>\u00a0<b style=\"font-weight: bold;\">DEAK<\/b>, Budapest;<\/div>\n<div><i style=\"font-style: italic;\">IRMA BLANK<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">P420<\/b>, Bologna;<\/div>\n<div><i style=\"font-style: italic;\">PAULO BRUSCKY<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">NARA ROESLER<\/b>, S\u00e3o Paulo;<\/div>\n<div><i style=\"font-style: italic;\">HANS-PETER FELDMANN<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">RICHARD SALTOUN<\/b>, London;<\/div>\n<div><i style=\"font-style: italic;\">ION GRIGORESCU<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">GREGOR PODNAR<\/b>, Berlin, Ljubljana;<\/div>\n<div><i style=\"font-style: italic;\">CHANNA HORWITZ<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">FRAN\u00c7OIS<\/b>\u00a0<b style=\"font-weight: bold;\">GHEBALY<\/b>, Los Angeles;<\/div>\n<div><i style=\"font-style: italic;\">EDWARD KRASINSKI<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">FOKSAL GALLERY FOUNDATION<\/b>, Warsaw;<\/div>\n<div><i style=\"font-style: italic;\">NORBERT KRICKE<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">AUREL SCHEIBLER<\/b>, Berlin;<\/div>\n<div><i style=\"font-style: italic;\">FRIEDL KUBELKA<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">RICHARD SALTOUN<\/b>, London;<\/div>\n<div><i style=\"font-style: italic;\">TETSUMI KUDO<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">CHRISTOPHE GAILLARD<\/b>, Paris;<\/div>\n<div><i style=\"font-style: italic;\">UGO LA PIETRA<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">CAMERA16<\/b>, Milano;<\/div>\n<div><i style=\"font-style: italic;\">SEUNG-TAEK LEE<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">MOTINTERNATIONAL<\/b>, London, Brussels;<\/div>\n<div><i style=\"font-style: italic;\">BERNHARD LEITNER<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">GEORG KARGL<\/b>, Vienna;<\/div>\n<div><i style=\"font-style: italic;\">AMADEO LUCIANO LORENZATO<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">BERGAMIN<\/b>, S\u00e3o Paulo;<\/div>\n<div><i style=\"font-style: italic;\">PAOLO MASI<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">FRITTELLI<\/b>, Firenze;<\/div>\n<div><i style=\"font-style: italic;\">MARTA MINUJIN<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">HENRIQUE FARIA<\/b>, New York;<\/div>\n<div><i style=\"font-style: italic;\">VERA MOLNAR<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">ONIRIS &#8211; FLORENT PAUMELLE<\/b>, Rennes;<\/div>\n<div><i style=\"font-style: italic;\">ANNA OPPERMANN<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">BARBARA THUMM<\/b>, Berlin;<\/div>\n<div><i style=\"font-style: italic;\">OSVALDO ROMBERG<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">HENRIQUE FARIA<\/b>, New York;<\/div>\n<div><i style=\"font-style: italic;\">N\u00c9STOR SANMIGUEL DIEST<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">MAISTERRAVALBUENA<\/b>, Madrid;<\/div>\n<div><i style=\"font-style: italic;\">ALFONS SCHILLING<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">CHARIM<\/b>, Vienna;<\/div>\n<div><i style=\"font-style: italic;\">KISHIO SUGA<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">TOMIO KOYAMA<\/b>, Tokyo, Singapore;<\/div>\n<div><i style=\"font-style: italic;\">GRAZIA VARISCO<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">CA\u2019 DI FRA\u2019<\/b>, Milano;<\/div>\n<div><i style=\"font-style: italic;\">GIL JOSEPH WOLMAN<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">NATALIE SEROUSSI<\/b>, Paris<\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\"><span style=\"color: #800000;\">PER4M<\/span><\/b><\/div>\n<div><i style=\"font-style: italic;\">LEAH CAPALDI<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">VITRINE<\/b>, London;<\/div>\n<div><i style=\"font-style: italic;\">F. MARQUESPENTEADO<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">MENDES WOOD<\/b>, S\u00e3o Paulo;<\/div>\n<div><i style=\"font-style: italic;\">SHAUN GLADWELL<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">ENRICO<\/b>\u00a0<b style=\"font-weight: bold;\">ASTUNI<\/b>, Bologna;<\/div>\n<div><i style=\"font-style: italic;\">LOUISE HERV\u00c9 &amp; CHLO\u00c9<\/i>\u00a0<i style=\"font-style: italic;\">MAILLET<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">MARCELLE ALIX<\/b>, Paris;<\/div>\n<div><i style=\"font-style: italic;\">HELENA<\/i>\u00a0<i style=\"font-style: italic;\">HLADILOV\u00c1<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">CO2<\/b>, Torino;<\/div>\n<div><i style=\"font-style: italic;\">TOM JOHNSON<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">GUIDO COSTA PROJECTS<\/b>, Torino;<\/div>\n<div><i style=\"font-style: italic;\">TOBIAS KASPAR<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">PETER KILCHMANN<\/b>, Zurich;<\/div>\n<div><i style=\"font-style: italic;\">MARCELLO MALOBERTI<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">RAFFAELLA CORTESE<\/b>, Milano;<\/div>\n<div><i style=\"font-style: italic;\">GIOVANNI<\/i>\u00a0<i style=\"font-style: italic;\">MORBIN<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">ARTERICAMBI<\/b>, Verona;<\/div>\n<div><i style=\"font-style: italic;\">PRINZ<\/i>\u00a0<i style=\"font-style: italic;\">GHOLAM<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">JOCELYN WOLFF<\/b>, Paris;<\/div>\n<div><i style=\"font-style: italic;\">LILI<\/i>\u00a0<i style=\"font-style: italic;\">REYNAUD DEWAR<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">EMANUEL LAYR<\/b>, Vienna;<\/div>\n<div><i style=\"font-style: italic;\">CALLY SPOONER<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">MOTINTERNATIONAL<\/b>, London, Brussels;<\/div>\n<div><i style=\"font-style: italic;\">KATE STECIW &amp; RACHEL DE JOODE<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">NEUMEISTER BAR-AM<\/b>, Berlin;<\/div>\n<div><i style=\"font-style: italic;\">NICO VASCELLARI<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">MONITOR<\/b>, Roma;<\/div>\n<div><i style=\"font-style: italic;\">VIOLA YESILTA\u00c7<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">DAVID LEWIS<\/b>, New York<i style=\"font-style: italic;\">;<\/i><\/div>\n<div><i style=\"font-style: italic;\">ITALO ZUFFI<\/i>\u00a0&gt;\u00a0<b style=\"font-weight: bold;\">PINKSUMMER<\/b>, Genova<\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\"><span style=\"color: #800000;\">ART EDITIONS<\/span><\/b><\/div>\n<div><b style=\"font-weight: bold;\">ALEX DANIELS \u2013 REFLEX<\/b>, Amsterdam;\u00a0<b style=\"font-weight: bold;\">EDITALIA<\/b>, Roma;\u00a0<b style=\"font-weight: bold;\">L\u2019ARENGARIO<\/b>\u00a0<b style=\"font-weight: bold;\">S.B.<\/b>, Gussago;\u00a0<b style=\"font-weight: bold;\">G.MAFFEI \u2013 G.GALIMBERTI<\/b>, Torino;\u00a0<b style=\"font-weight: bold;\">DANILO<\/b>\u00a0<b style=\"font-weight: bold;\">MONTANARI<\/b>, Ravenna;\u00a0<b style=\"font-weight: bold;\">SUDEST 57<\/b>, Milano<\/div>\n<div class=\"ecxDefault\"><\/div>\n<\/div>\n<div style=\"color: #444444;\">\n<div class=\"ecxDefault\"><\/div>\n<div class=\"ecxDefault\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/div>\n<div class=\"ecxDefault\"><\/div>\n<div><\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\">ARTISSIMA 2014 | Internazionale d\u2019Arte Contemporanea<\/b><\/div>\n<div><b style=\"font-weight: bold;\">7\u20139 novembre 2014<\/b><\/div>\n<div><b style=\"font-weight: bold;\">Preview:\u00a0 6 novembre 2014<\/b><\/div>\n<div>OVAL \u2013 Lingotto Fiere, Torino<\/div>\n<div><\/div>\n<div><\/div>\n<div>ARTISSIMA, un marchio di\u00a0<b style=\"font-weight: bold;\">Regione Piemonte<\/b>,\u00a0<b style=\"font-weight: bold;\">Provincia di Torino<\/b>\u00a0e\u00a0<b style=\"font-weight: bold;\">Citt\u00e0 di Torino<\/b>, \u00e8 coordinata dalla\u00a0<b style=\"font-weight: bold;\">Fondazione Torino Musei<\/b>. La ventunesima edizione della fiera viene realizzata con il sostegno dei tre Enti proprietari del marchio, congiuntamente a\u00a0<b style=\"font-weight: bold;\">Camera di commercio di Torino<\/b>,\u00a0<b style=\"font-weight: bold;\">Compagnia di San Paolo<\/b>\u00a0e\u00a0<b style=\"font-weight: bold;\">Fondazione per l\u2019Arte Moderna e Contemporanea CRT<\/b>.<\/div>\n<div><\/div>\n<div>La manifestazione si avvale della collaborazione di:<\/div>\n<div><\/div>\n<div><i style=\"font-style: italic;\">Main Partner<\/i><i style=\"font-style: italic;\">:<\/i>\u00a0<b style=\"font-weight: bold;\">UniCredit<\/b><\/div>\n<div><i style=\"font-style: italic;\">Partner<\/i><i style=\"font-style: italic;\">:<\/i>\u00a0<b style=\"font-weight: bold;\">illycaff\u00e8, K-Way<\/b>,\u00a0<b style=\"font-weight: bold;\">Nital<\/b><\/div>\n<div><i style=\"font-style: italic;\">In kind \u2013 sponsors:<\/i>\u00a0<b style=\"font-weight: bold;\">Carlo Angela, Sagat<\/b><\/div>\n<div><i style=\"font-style: italic;\">Official Carrier:<\/i>\u00a0<b style=\"font-weight: bold;\">Gondrand<\/b><\/div>\n<div><i style=\"font-style: italic;\">Media Partner:<\/i>\u00a0<b style=\"font-weight: bold;\">La Stampa<\/b><\/div>\n<div><\/div>\n<div><\/div>\n<div><b style=\"font-weight: bold;\">\u00a0<\/b><b style=\"font-weight: bold;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dub127.mail.live.com\/Handlers\/ImageProxy.mvc?bicild=&amp;canary=T4BvdHst8sGILi3Uz7Bd8b5WSEstcxAujmmmLHjOcyg%3d0&amp;url=http%3a%2f%2fimg2.ymlp286.net%2ftubm_contemporary.jpg\" alt=\"\" width=\"189\" height=\"35\" \/><\/b><\/div>\n<div><b style=\"font-weight: bold;\">\u00a0<\/b><\/div>\n<div>Artissima \u00e8 anche su:<\/div>\n<div><i style=\"font-style: italic;\">Facebook<\/i>: Artissima Fair |\u00a0<i style=\"font-style: italic;\">Twitter<\/i>: @ArtissimaFair |\u00a0<i style=\"font-style: italic;\">Instagram<\/i>: ARTISSIMAFAIR |\u00a0<i style=\"font-style: italic;\">Pinterest<\/i>: Artissima<\/div>\n<div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>ARTISSIMA 2014 Oval, Lingotto Fiere Torino \u00a0 6 novembre 2014 Presentazione alla stampa, preview, vernissage \u00a0 7-8-9 novembre 2014 Apertura al pubblico \u00a0 Le Gallerie dell\u2019edizione 2014 Artissima presenta l\u2019elenco completo delle gallerie che\u00a0da venerd\u00ec 7 a domenica 9 novembre 2014\u00a0animeranno la ventunesima edizione della Fiera Internazionale d\u2019Arte Contemporanea a Torino, diretta per la terza &hellip; <a href=\"https:\/\/www.gdapress.it\/it\/index.php\/46005\/arte\/artissima-gallerie-delledizione-2014.html\" class=\"more-link\">Read more <span class=\"screen-reader-text\">ARTISSIMA | Le Gallerie dell&#8217;edizione 2014<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[2722,7478,29],"class_list":["post-46005","post","type-post","status-publish","format-standard","hentry","category-arte","tag-artissima","tag-gallerie","tag-torino"],"_links":{"self":[{"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/posts\/46005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/comments?post=46005"}],"version-history":[{"count":1,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/posts\/46005\/revisions"}],"predecessor-version":[{"id":46006,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/posts\/46005\/revisions\/46006"}],"wp:attachment":[{"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/media?parent=46005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/categories?post=46005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/tags?post=46005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}