
{"id":25252,"date":"2012-06-07T00:32:23","date_gmt":"2012-06-06T22:32:23","guid":{"rendered":"http:\/\/www.gdapress.it\/it\/?p=25252"},"modified":"2012-06-07T00:32:23","modified_gmt":"2012-06-06T22:32:23","slug":"concerti-nel-chiostro-2012-accademia-reale-di-spagna-roma","status":"publish","type":"post","link":"https:\/\/www.gdapress.it\/it\/index.php\/25252\/musica\/concerti-nel-chiostro-2012-accademia-reale-di-spagna-roma.html","title":{"rendered":"Concerti nel Chiostro 2012- Accademia Reale di Spagna &#8211; Roma"},"content":{"rendered":"<p align=\"center\" class=\"ecxMsoNormal\" style=\"text-align: center; margin-bottom: 0pt\"><b><span style=\"line-height: 115%; font-family: 'times new roman', 'serif'; font-size: 16pt\">La Accademia Reale di Spagna a Roma<\/span><\/b><\/p>\n<p align=\"center\" class=\"ecxMsoNormal\" style=\"text-align: center; margin-bottom: 0pt\"><i><span style=\"line-height: 115%; font-family: 'times new roman', 'serif'; font-size: 12pt\">presenta<\/span><\/i><\/p>\n<p align=\"center\" class=\"ecxMsoNormal\" style=\"text-align: center; margin-bottom: 0pt\"><b><span style=\"line-height: 115%; font-family: 'times new roman', 'serif'; font-size: 12pt\"><br \/>\n\t<\/span><\/b><\/p>\n<p align=\"center\" class=\"ecxMsoNormal\" style=\"text-align: center; margin-bottom: 0pt\"><b><span style=\"line-height: 115%; font-family: 'times new roman', 'serif'; font-size: 12pt\">&nbsp;<\/span><\/b><\/p>\n<p align=\"center\" class=\"ecxMsoNormal\" style=\"text-align: center; margin-bottom: 0pt\"><b><span style=\"line-height: 115%; font-family: 'times new roman', 'serif'; font-size: 12pt\">Concerti nel <\/span><\/b><b><span style=\"line-height: 115%; font-family: 'times new roman', 'serif'; font-size: 12pt\"><span>&nbsp;<\/span>Chiostro<\/span><\/b><\/p>\n<p align=\"center\" class=\"ecxMsoNormal\" style=\"text-align: center; margin-bottom: 0pt\"><b><i><span style=\"line-height: 115%; font-family: 'times new roman', 'serif'; font-size: 12pt\">dal<span>&nbsp; <\/span>7 giugno al 9 luglio,<\/span><\/i><\/b><\/p>\n<p align=\"center\" class=\"ecxMsoNormal\" style=\"text-align: center; margin-bottom: 0pt\"><b><i><span style=\"line-height: 115%; font-family: 'times new roman', 'serif'; font-size: 12pt\">alle ore 20 e 30<\/span><\/i><\/b><\/p>\n<p align=\"center\" class=\"ecxMsoNormal\" style=\"text-align: center; margin-bottom: 0pt\"><b><i><span style=\"line-height: 115%; font-family: 'times new roman', 'serif'; font-size: 12pt\">Ingresso libero fino ad esaurimento posti<\/span><\/i><\/b><\/p>\n<p class=\"ecxDefault\" style=\"text-align: justify\"><span style=\"font-family: 'times new roman', 'serif'; color: windowtext\">Come negli anni precedenti e con l&rsquo;arrivo della stagione estiva, l&rsquo;accademia Reale di Spagna a Roma organizza il <b>ciclo di concerti di Musica nel chiostro<\/b> seicentesco della sua sede, decorato con gli affreschi del Pomarancio sulla vita di San Francesco. Lo spazio &egrave; <span>&nbsp;<\/span>dunque suggestivo e la sonorit&agrave; eccellente. <\/span><\/p>\n<p style=\"text-align: justify\">Si tratta di concerti che vengono organizzati tradizionalmente negli spazi dell&rsquo;Accademia per valorizzare l&rsquo;intimo legame con la storia musicale spagnola, confermata dall&rsquo;aver ospitato, tradizionalmente, alcuni dei pi&ugrave; importanti compositori del panorama musicale spagnolo del XX secolo. Anche quest&rsquo; anno, infatti, una parte importante dei concerti, organizzati con la generosa collaborazione dei compositori Fernando Buide del Real, Manuel Alejandro Contreras e Arild Su&aacute;rez, sar&agrave; dedicata alla musica contemporanea.<\/p>\n<p class=\"ecxDefault\" style=\"text-align: justify\"><span style=\"font-family: 'times new roman', 'serif'; color: windowtext\">&nbsp;<\/span><\/p>\n<p class=\"ecxDefault\" style=\"text-align: justify\"><span style=\"font-family: 'times new roman', 'serif'; color: windowtext\"><span>&nbsp;<\/span>Cinque concerti con ingresso libero e che comprendono concerti di piani dei pi&ugrave; noti vincitori di concorsi internazionali come <b>Z<span>hengyu Chen vincitore del Premio Internazionale di Pianoforte Iturbi de Valencia <span>&nbsp;<\/span>Maria Canals de Barcelona<\/span><\/b>, passando per l&rsquo; <b>Ensemble s21 <\/b>assieme al soprano <b>Eva Su&aacute;rez<\/b>, i cui componenti fanno parte dell&rsquo; Orquesta Sinf&oacute;nica de Galicia. Infine avremo l&rsquo;onore di ospitare il Maestro <b>Mario<\/b> <b>Caroli<\/b>.<\/span><\/p>\n<p style=\"text-align: justify\">Il ciclo quest&rsquo;anno si chiude con un ultimo concerto affidato al quartetto di sassofoni <b>Sigma Project <\/b><span>che vanta importanti esibizioni in centri culturali e rinomati in Spagna:<b> <\/b>dal <\/span>Kursaal di San Sebasti&aacute;n al Museo Nacional Centro de Arte Contempor&aacute;neo Reina Sof&iacute;a de Madrid.<\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">La rassegna sar&agrave; inaugurata il 7 giugno, alle ore 20:30 con il concerto del Maestro Zhengyu Chen al Pianoforte. <span>&nbsp;<\/span>A seguire il <u>programma della prima giornata e di quelle successive<\/u>: <\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><b><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">&nbsp;<\/span><\/b><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">7 giugno,<b> Zhengyu Chen, <\/b><\/span><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><u><span style=\"font-family: 'times new roman', 'serif'; color: #404040; font-size: 12pt\">Parte I<\/span><\/u><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Chopin<i> Polonaise, Fa diesis minore,<\/i> Pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Prokofiev, <i>Sonata No.7<\/i>, Pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><u><span style=\"font-family: 'times new roman', 'serif'; color: #404040; font-size: 12pt\">Parte II<\/span><\/u><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Haydn, <i>Sonata Mi bemolle maggiore Hob. XVI\/52<\/i>, Pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Debussy, <i>L&rsquo;isle Joyeuse<\/i>, Pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Liszt, <i>Rhapsodie Espagnole<\/i>, Pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">&nbsp;<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><b><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">**<\/span><\/b><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">21 giugno<b> <span style=\"text-transform: uppercase\">E<\/span>nsemble s21<\/b><\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Jorge Montes<\/span><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">, violino<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Carlos Garc&iacute;a Amigo<\/span><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">, violoncello <span>Julio<\/span><\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span lang=\"ES-TRAD\" style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Julio <\/span><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Mourenza<\/span><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">, pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Alejandro Sanz, <\/span><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">percussione<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Vicente L&oacute;pez, <\/span><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">clarinetto<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Eva Ju&aacute;rez,<b> <\/b><\/span><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Soprano<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">&nbsp;<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Jos&eacute; Luis Turina, <i>Tres tercetos <\/i>(2003), Violino, violoncello, pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Manuel Contreras, <i>Apnea <\/i>(2008), Percussione, pianoforte; <i>Misa <\/i>(2012), Clarinetto, violino, pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Fernando Buide, <i>Electra<\/i>* (2012), Soprano, violino, violoncello, clarinetto,percussione, pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><i><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">* Sul testo di Efra&iacute;n Rodr&iacute;guez Santana<\/span><\/i><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><i><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">&nbsp;<\/span><\/i><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">**<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">28 giugno<b> Mario Cairoli<\/b><\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Fernando Buide, <i>Aria <\/i>(2012). Per flauto<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Arild Su&aacute;rez, <i>Solo n&ordm; 2<\/i>, Per flauto<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Manuel Contreras, Sacaoi (2012), Per flauto<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">&nbsp;<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">**<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">5 <\/span><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">luglio, <b>Soo Jung Ann <\/b><\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><u><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Parte I<\/span><\/u><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Mozart, <i>Sonata in Re maggiore, K. 576<\/i>, Pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Schumann, <i>Novelette No.8<\/i>, Pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><u><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Parte II<\/span><\/u><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span lang=\"FR\" style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Debussy, <i>preludes<\/i>, <i>Book 1 No.8 (&#8230; la fille aux cheveux de lin), Book 1 No.3 (&#8230; Le vent dans la plaine), Book 2 No.7 (&#8230; La terrasse des audiences du<\/i>, <i>clair de lune)<\/i>, <i>Book 1 No.4 (&#8230; Les sons et les parfums<\/i><\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><i><span lang=\"FR\" style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">tournent dans l&rsquo;air du soir), Book 1 No.5 (&#8230; <\/span><\/i><i><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Les collines d&rsquo;Anacapri), <\/span><\/i><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Pianoforte<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Barber, <i>Sonata in Mi bemolle minore<\/i><\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">&nbsp;<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">**<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: #404040; font-size: 12pt\">9 luglio <\/span><b><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Quartetto Sigma Project<\/span><\/b><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Josetxo Silguero, <\/span><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">sassofono<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Andr&eacute;s Gomis, <\/span><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">sassofono<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">&Aacute;ngel Soria, <\/span><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">sassofono<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Miguel Romero, <\/span><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">sassofono<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><u><span style=\"font-family: 'times new roman', 'serif'; color: #404040; font-size: 12pt\">Parte I<\/span><\/u><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">F&eacute;lix Barrondo, <i>Aikan <\/i>( 2009), Per quartetto di sassofoni<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Jes&uacute;s Torres, <i>Tenebrae <\/i>(2012), Per quartetto di sassofoni<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Jos&eacute; Manuel L&oacute;pez L&oacute;pez, <i>Simog-Civitella <\/i>(2011), Per quartetto di sassofoni<\/span><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><u><span style=\"font-family: 'times new roman', 'serif'; color: #404040; font-size: 12pt\">Parte II<\/span><\/u><\/p>\n<p class=\"ecxMsoNormal\" style=\"text-align: justify; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; color: black; font-size: 12pt\">Salvatore Sciarrino y electr&oacute;nica, <i>La bocca, i piedi, il suono <\/i>(1997), Adattamento per quartetto di sassofoni<\/span><\/p>\n<p align=\"right\" class=\"ecxMsoNormal\" style=\"text-align: right; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'cambria', 'serif'; font-size: 12pt\">&nbsp;<\/span><\/p>\n<p align=\"right\" class=\"ecxMsoNormal\" style=\"text-align: right; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'cambria', 'serif'; font-size: 12pt\">&nbsp;<\/span><\/p>\n<p align=\"right\" class=\"ecxMsoNormal\" style=\"text-align: right; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'cambria', 'serif'; font-size: 12pt\">&nbsp;<\/span><\/p>\n<p align=\"right\" class=\"ecxMsoNormal\" style=\"text-align: right; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Accademia Reale di Spagna a Roma<\/span><\/p>\n<p align=\"right\" class=\"ecxMsoNormal\" style=\"text-align: right; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">Piazza San Pietro in Montorio 3<\/span><\/p>\n<p align=\"right\" class=\"ecxMsoNormal\" style=\"text-align: right; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">tel: 06.5812806<\/span><\/p>\n<p align=\"right\" class=\"ecxMsoNormal\" style=\"text-align: right; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\"><a href=\"http:\/\/www.raer.it\/\" target=\"_blank\"><font color=\"#0066cc\">www.raer.it<\/font><\/a> <\/span><span style=\"font-family: 'times new roman', 'serif'\">oppure<span>&nbsp; <\/span><a href=\"http:\/\/accademiaspagnaroma.wordpress.com\/\" target=\"_blank\"><font color=\"#0066cc\">http:\/\/accademiaspagnaroma.wordpress.com<\/font><\/a> <\/span><\/p>\n<p align=\"right\" class=\"ecxMsoNormal\" style=\"text-align: right; line-height: normal; margin-bottom: 0pt\"><span style=\"font-family: 'times new roman', 'serif'; font-size: 12pt\">&nbsp;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Accademia Reale di Spagna a Roma presenta &nbsp; Concerti nel &nbsp;Chiostro dal&nbsp; 7 giugno al 9 luglio, alle ore 20 e 30 Ingresso libero fino ad esaurimento posti Come negli anni precedenti e con l&rsquo;arrivo della stagione estiva, l&rsquo;accademia Reale di Spagna a Roma organizza il ciclo di concerti di Musica nel chiostro seicentesco &hellip; <a href=\"https:\/\/www.gdapress.it\/it\/index.php\/25252\/musica\/concerti-nel-chiostro-2012-accademia-reale-di-spagna-roma.html\" class=\"more-link\">Read more <span class=\"screen-reader-text\">Concerti nel Chiostro 2012- Accademia Reale di Spagna &#8211; Roma<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[283,8718,1810,1446,1447],"class_list":["post-25252","post","type-post","status-publish","format-standard","hentry","category-musica","tag-accademia","tag-chiostro","tag-concerti","tag-reale","tag-spagna"],"_links":{"self":[{"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/posts\/25252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/comments?post=25252"}],"version-history":[{"count":1,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/posts\/25252\/revisions"}],"predecessor-version":[{"id":25253,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/posts\/25252\/revisions\/25253"}],"wp:attachment":[{"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/media?parent=25252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/categories?post=25252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gdapress.it\/it\/index.php\/wp-json\/wp\/v2\/tags?post=25252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}